The Big Sleep: Movie vs. Novel Essay -- Movie Film comparison compare

The bouffant Sleep Movie vs. Novel Film and literature be two media forms that are so closely related, that we often forget at that place is a distinction between them. We often just view the characterization as an appendage of the sustain because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, indeed the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on. I enjoyed The Big Sleep by Howard Hawks, but can still recognize and send word the differences between it and Chandlers masterful novel. It is an objective appreciation of the two plant which forms the mental hospital a good paper. One must look at the set aside as a distinct unit, look at the contract as a distinc t unit, and then (and only then) use one to contrast/contrast the other in a critique. The film, after all, is not an extension of the novel&endashas some would like to argue&endashbut an sovereign entity that can be constructed however the artist (Hawks in this case) wants. The novel is the intensity the film, the work itself. Howard Hawks chose to film The Big Sleep in the genre of film noir this seemed like the obvious choice for a hardboiled detective novel. Film noir is the dark film, a term applied by French critics to the type of American film, unremarkably in the detective of thriller genre, with low-key lighting and a somber wittiness (Bordwell 479). By using this genre of filmmaking, Hawks had an effective vehicle with which to retain the refinement of Chand... ...yers daughter. In the book, Marlowe had less difficulty respecting his employer through his violent sense of chivalry. Raymond Chandler and Howard Hawks both(prenominal) create incredible p ieces of art with their individual representations of The Big Sleep. The differences between the works allow them to converse and argue with each other, thus creating a parvenu interpretation on the themes of the story. Hawks version seems to be about Marlowes struggle with the unnatural world, Chandlers about a struggle with nature. The movie was well made, as the book was well written both are sufficient to stand and to be appreciated alone. Works Cited Bluestone, George. Novels into Film. 1957. Los Angeles University of California Press, 1961. Bordwell, David, and Kristin Thompson. Film Art An Introduction. 5th ed. innovative York McGraw-Hill, 1997.